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Zoya had given me the confidence that she was going to shoot the scene aesthetically. Were you apprehensive about how this scene would be received? The opening scene of the film, where Sudha is having sex with her employer, could have been a talking point but it wasn’t. I remember I was wiping floors at home for weeks and I realised how tough it is to sit on your haunches.
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I worked with an excellent teacher, Atul Mongia. They are stronger and tougher and that’s exactly what Zoya has shown. They might make khayali pulao but the end of the day when reality strikes, they handle it. They have to get their shit together and move on. They don’t have the time to whine over things that have gone wrong. But they treat themselves in a more practical way. We might not ill-treat our house help because we are educated, but we do believe in this divide. The film is a big comment on the class division in India and knowingly or unknowingly, we all are a part of it. I had observed the way people work at my house, the way they treat the clothes, the kitchen, their behaviour. So I know the kind of the world Zoya was trying to show. I am a Bombay girl who’s grown up with a lot of house helps around me. It also comes from a lot of practice that I had since my first film and years of observation. There was a lot of work that went into it. The big talking point about your performance is the sense of familiarity with which you negotiate the maid’s space. Zoya said, you will get to do something you love. I can never imagine living the life Sudha had. With the other characters, I could still imagine living that life. I had not done something like this before. Especially because there are no dialogue. I knew this was exactly what I wanted to do. Our first meeting was actually a Skype call where she briefed me about the film. Actors are usually wary of experimenting because there is a demarcation between platforms, which is quite wrong, in my opinion.īut Zoya is a fantastic filmmaker and she has always been on my bucket list. It’s not a conventional platform for a feature film actor. When I was told that Zoya wanted to work with me for the second installment of Bombay Talkies, I was obviously excited. How did Zoya Akhtar narrate the script to you? The way our audiences have responded to Lust Stories shows how much they have matured and changed. I wake up to beautiful messages on my phone, Instagram, Twitter. I was excited, but the response has truly overwhelmed me. I knew that all the films would have a very strong voice and that they were going to show women in a very different mode. Well, I knew these fantastic directors were coming together and though I didn’t know about what they would be making, I knew that the platform and the stories would be different. Were you expecting audiences to respond this way? You have garnered a lot of praise for your performance in ‘Lust Stories’. In a conversation with Scroll.in, the 28-year-old actress spoke about preparing for the role, her well-chronicled weight loss after her award-winning debut in Dum Laga Ke Haisha in 2015, and the myths about her background. But she is pragmatic enough to remain silent and inconspicuous in the face of callousness and unintended humiliation from her employer and his family. Pednekar plays Sudha, a young maid who manages her employer’s home with a quiet efficiency and enjoys a fulfilling sexual relationship with him. Pednekar’s poignant portrayal of a maid in Zoya Akhtar’s contribution to the Netflix anthology film Lust Stories has been widely appreciated. ‘Think where you want to stand in history books’: White House on reports of India buying Russian oilīhumi Pednekar is only three films old ( Dum Laga Ke Haisha, Toilet: Ek Prem Katha and Shubh Mangal Saavdhan), but the young Yash Raj Films protege is clearly enjoying her moment.Explainer: How the Karnataka High Court justified the hijab ban.Decoding the Goa election in 35 charts: A BJP victory paved by Congress’ erosion.Putin could try to split Ukraine into regional puppet governments.How India’s economy under Nehru came to be steered by a professor and an academic institute.All England Open, Day 1: Wins for PV Sindhu, Saina Nehwal, Gayatri-Treesa and Satwik-Chirag.Three failures in Ukraine that have exposed the vulnerability of Russian military.Inside Patna’s exam hub, where a million hopes die every year.Why the Aam Aadmi Party is not a real alternative to the BJP.Booker Prize International 2022: Read the opening lines of the 13 longlisted books.Was the ‘Kashmir genocide’ recognised by a US state, as Vivek Agnihotri claimed?.How long are we conscious after death and does life really flash before our eyes?.